The watermark in the lower right corner of the image will not appear on the final print.
Love among the Ruins 1870 Metal Print
by Edward Coley Burne Jones
Love among the Ruins 1870 by Edward Coley Burne Jones - 10" x 6.5"
Love among the Ruins 1870 metal print by Edward Coley Burne Jones. Bring your artwork to life with the stylish lines and added depth of a metal print. Your image gets printed directly onto a sheet of 1/16" thick aluminum. The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back. The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.
Love among the Ruins 1870, Sir Edward Coley Burne-Jones, 1st Baronet, ARA (/bɜːnˈdʒəʊnz/; 28 August 1833 – 17 June 1898) was a British... more
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Love among the Ruins 1870, Sir Edward Coley Burne-Jones, 1st Baronet, ARA (/bɜːnˈdʒəʊnz/; 28 August 1833 – 17 June 1898) was a British artist and designer associated with the phase of the Pre-Raphaelite movement, who worked with William Morris on decorative arts as a founding partner in Morris, Marshall, Faulkner & Co.
Burne-Jones was involved in the rejuvenation of the tradition of stained glass art in Britain; his works include windows in St. Philip's Cathedral, Birmingham, St Martin in the Bull Ring, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Peter and St Paul parish church in Cromer, St Martin's Church in Brampton, Cumbria (the church designed by Philip Webb), St Michael's Church, Brighton, Trinity Church in Frome, All Saints, Jesus Lane, Cambridge, St Edmund Hall and Christ Church, two colleges of the University of Oxford. His stained glass works also feature in St. Anne's Church, Brown Edge, Staffordshire Moorlands and St. Edward the Confessor...
About Edward Coley Burne Jones
From the time I was a child I have been intrigued with the patterning of light and the interaction of color. In the course of my life path I fell away from any sense of creative freedom, working from what I thought was expected of me. Through the long process of releasing an imposed belief system and replacing it with my own experiences and truths I have become able, emotionally and spiritually to access my child spirit through my adult educated mind. I am powerfully influenced by the passionate colors of the Italian High Renaissance and the gestural freedom of Impressionism and abstract expressionism. The spirituality of the theories in these genres has also had a great impact on me. In my work I seek to establish the intricate web...
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