Make gift giving easy! I have gift cards available.
Boundary: Bleed area may not be visible.
Click and drag to re-position the image, if desired.
The watermark at the lower right corner of the image will not appear on the final product.
by Edward Coley Burne Jones
The image is near the edges of the product but doesn't cover the entire product. Some of the background color may appear around the outside edges of the image.
Our premium yoga mats are 24" wide x 72" tall x 0.25" thick and made from natural rubber with a blended microfiber top surface. The top of the mat has the image printed on it, and the back is solid black with textured dimples for better floor grip.
Love among the Ruins 1870, Sir Edward Coley Burne-Jones, 1st Baronet, ARA (/bɜːnˈdʒəʊnz/; 28 August 1833 – 17 June 1898) was a British... more
Wash with a damp cloth and air dry.
2 - 3 business days
Round Beach Towel
Weekender Tote Bag
Portable Battery Charger
Love among the Ruins 1870, Sir Edward Coley Burne-Jones, 1st Baronet, ARA (/bɜːnˈdʒəʊnz/; 28 August 1833 – 17 June 1898) was a British artist and designer associated with the phase of the Pre-Raphaelite movement, who worked with William Morris on decorative arts as a founding partner in Morris, Marshall, Faulkner & Co.
Burne-Jones was involved in the rejuvenation of the tradition of stained glass art in Britain; his works include windows in St. Philip's Cathedral, Birmingham, St Martin in the Bull Ring, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Peter and St Paul parish church in Cromer, St Martin's Church in Brampton, Cumbria (the church designed by Philip Webb), St Michael's Church, Brighton, Trinity Church in Frome, All Saints, Jesus Lane, Cambridge, St Edmund Hall and Christ Church, two colleges of the University of Oxford. His stained glass works also feature in St. Anne's Church, Brown Edge, Staffordshire Moorlands and St. Edward the Confessor...
From the time I was a child I have been intrigued with the patterning of light and the interaction of color. In the course of my life path I fell away from any sense of creative freedom, working from what I thought was expected of me. Through the long process of releasing an imposed belief system and replacing it with my own experiences and truths I have become able, emotionally and spiritually to access my child spirit through my adult educated mind. I am powerfully influenced by the passionate colors of the Italian High Renaissance and the gestural freedom of Impressionism and abstract expressionism. The spirituality of the theories in these genres has also had a great impact on me. In my work I seek to establish the intricate web...
There are no comments for Love among the Ruins 1870. Click here to post the first comment.