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by Edward Coley Burne Jones
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The Center for Disease Control has recommended the use of cloth face masks to help fight the spread of COVID-19.
This face mask is made from 100% polyester and includes two ear loops with adjustable grommets for a comfortable fit.
The printed area of the mask is approximately 7" wide by 5" tall. This mask fits well on adult mens' faces without the grommets but, due to the adjustable grommets, can be worn snuggly by adult women, as well.
Please note - this is NOT a surgical grade mask. It is not intended for any medical or commercial uses, whatsoever. It is a simple, cloth mask designed for everyday use to cover your mouth when out in public. The mask should not be used in any medical or surgical setting.
We make no warranties that the mask prevents infections or the transmission of viruses or diseases.
Love among the Ruins 1870, Sir Edward Coley Burne-Jones, 1st Baronet, ARA (/bɜːnˈdʒəʊnz/; 28 August 1833 – 17 June 1898) was a British... more
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Love among the Ruins 1870, Sir Edward Coley Burne-Jones, 1st Baronet, ARA (/bɜːnˈdʒəʊnz/; 28 August 1833 – 17 June 1898) was a British artist and designer associated with the phase of the Pre-Raphaelite movement, who worked with William Morris on decorative arts as a founding partner in Morris, Marshall, Faulkner & Co. Burne-Jones was involved in the rejuvenation of the tradition of stained glass art in Britain; his works include windows in St. Philip's Cathedral, Birmingham, St Martin in the Bull Ring, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Peter and St Paul parish church in Cromer, St Martin's Church in Brampton, Cumbria (the church designed by Philip Webb), St Michael's Church, Brighton, Trinity Church in Frome, All Saints, Jesus Lane, Cambridge, St Edmund Hall and Christ Church, two colleges of the University of Oxford. His stained glass works also feature in St. Anne's Church, Brown Edge, Staffordshire Moorlands and St. Edward the Confessor church...
From the time I was a child I have been intrigued with the patterning of light and the interaction of color. In the course of my life path I fell away from any sense of creative freedom, working from what I thought was expected of me. Through the long process of releasing an imposed belief system and replacing it with my own experiences and truths I have become able, emotionally and spiritually to access my child spirit through my adult educated mind. I am powerfully influenced by the passionate colors of the Italian High Renaissance and the gestural freedom of Impressionism and abstract expressionism. The spirituality of the theories in these genres has also had a great impact on me. In my work I seek to establish the intricate web...
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